Sanch Maina

I'm Sanch Maina

A dedicated Steadicam and Trinity operator with over 8 years of hands-on experience in the film industry. My journey in cinematography has been driven by a passion for storytelling and a commitment to showcasing Africa’s rich cultural narratives through the camera lens.

My Mission

My mission is to climb the highest ranks in the field of cinematography and to use my skills to advance the rich cultural way of life present in Africa through the film camera lens. Sanch Maina strives to bring stories to life with precision, creativity, and technical excellence.

My Expertise

As a skilled camera operator, Sanch Maina excels in using high-end digital cameras like the Alexa Mini, Sony FX9, and Red Monstro. I am proficient with the ARRI Artemis Steadicam and Trinity 1 Rig, delivering smooth, dynamic visuals for any project. Additionally, I have significant editing experience with platforms such as Avid Media Composer, Avid Xpress DV, and Final Cut Pro.

Years of Experience

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Completed Projects

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Endorsements

Working with Sanch has always been a pleasure. His attention to detail and technical skills are unmatched.

Salim Amin

Managing Director, Camerapix Ltd

Sanch's expertise with the Trinity rig brought our project to life in ways we hadn't imagined.

David Johnson

Director, Mohamed Amin Foundation

My Recent Projects

Below are some of the notable projects I’ve had the privilege to work on, showcasing the breadth and depth of my experience.

Safaricom TVC

Working on the Safaricom TVC was an exhilarating experience where I utilized the Alexa LF Camera combined with Cooke Panchro Lenses. As the Trinity Operator, I ensured fluid and dynamic shots that brought the commercial’s vibrant narrative to life.

SAMIA (Little Dreamer)

For the movie “SAMIA,” I served as the Camera Operator, employing the Alexa Mini Camera with Cooke S4 Lenses. The project allowed me to capture the delicate and dreamlike essence of the story, contributing to its compelling visual style.

KADZO

On “KADZO,” I combined roles as a Focus Puller and Steadicam Operator. The use of the Red Monstro Camera and Orion Atlas Anamorphic Lenses enabled me to achieve rich, cinematic imagery that enhanced the film’s dramatic narrative.

My Big Fairy Tale Wedding

This project saw me working as a B-Cam Operator and Steadicam Operator. Using the Alexa LF Camera with Signature Prime Lenses, I captured the whimsical and enchanting moments of the series, making each scene visually captivating.